Engaging audiences in new music On the 5th May 2019, Maja Palser and I co-curated MOVE|MEANT, a performance and installation platform for multidisciplinary and collaborative performance (held in the Stained Glass Centre). The event was initially an opportunity for us to showcase and record pieces for our respective PhDs, but I believe it evolved into […]

A cisgender, heterosexual gaze is prevalent in Western art music. It is ingrained in our academia, and almost unquestioningly accepted in composition, performance, and listening practices. It extends into other arts and academic disciplines, and into all areas of life (this last point should, hopefully, surprise no-one). Sadly, even when the topic of ‘queerness’ is […]

The cisgender, heterosexual gaze is prevalent in academics. It’s prevalent in everyday life: from casual conversation, to journalism, to amateur and expert commentary. This is undoubtedly influenced by proportion in the population (most people, perhaps even queer people, will not look at situation with a queer gaze, even when it is obvious or necessitated), but […]

If there is one thing living in the UK has taught me, it is that I am South African – proudly South African. The culture shock was unexpected, slightly unnerving, yet rewarding. It has, to use a terrible cliché, enabled me to ‘find’ myself. My identity is now firmly South African, but to what extent […]